For the first time, Johanna Velasquez, recipient of the Liu Shiming Scholarship at Columbia University, continues to refine her interdisciplinary approach, emphasizing the interplay of photomechanical and traditional processes. This scholarship has bolstered her academic and creative pursuits, enabling her to articulate the complex relationship between cultural identities as a Latin American raised in suburban “white” America. Her works reference themes of education, identity, labor, politics, and time.
“A feeling of belonging in neither place,” Johanna reflects on her unique position, which has become a central theme in her artistic practice. She received her Bachelor of Fine Arts in Printmaking from SUNY Purchase College and is currently pursuing her Master of Fine Arts at Columbia University.
In her recent work, Johanna utilizes various mediums such as printmaking, sculpture, and installation art to create immersive experiences. One of her notable installations features traditional Japanese coastal paper dyed with indigo, reflecting her family's historical connection to indigo trade. "Discovering my family's past as indigo merchants deepened my interest in the material," Johanna said. "I delved into its traditional processes and even traveled to El Salvador to learn more about its production.
Johanna plans to continue her teaching endeavors at Columbia University this summer, followed by a residency in Mexico and another in France, where she will further explore paper art. Her goal is to transition into the commercial printmaking field, utilizing the skills and insights gained from her time at the Nieman Center at Columbia.
Johanna's work featured in recent graduation exhibition at Columbia University, where visitors can explore her intricate and thought-provoking pieces. Her innovative approach and dedication to exploring complex cultural themes position her as a significant voice in contemporary art. “Receiving the Liu Shiming Art Scholarship is an incredible honor,” Johanna expressed. “It not only validates my work but also provides the support needed to pursue my artistic and professional goals.”
Johanna Velasquez. Xiquilite: raiz (2024). Wood, screws, metal plates, thread, sandbag, pencil, nori paste, indigo-dyed kozo-shi paper, rocks, gold leaf, metal hanging wire, holographic paper, gold star stickers, magnets, and post-it notes. 8’ x 10’ x 1’ 1/2” ft. Images courtesy of Benjamin Salesse & Alan Weiner.
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Written by Chirui Cheng
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